BOLZANO. Defend the prestige becomes more complicated work for gallery Europe. What historically has been a transition elite now requires an overall review and support are the same traders who work every day. An important step in the city too easily ignored by tourists and that it has used for other street furniture gallery, for example, the "Griffon." Here, then, that better lighting or simple inclusion of the passage within paths to distribute leaflets in enamel may be enough to restore the area. Anyone familiar with the gallery since he was small Scarpi Patrick is that, after his parents, runs the photo-optic "Gallery Europe." "The first issue to address is certainly square universities, today and authentic architectural ideal boundary of the Center for tourists and Bolzano. It would be desirable, in fact, adopt a solution like the one chosen for Dominicans square, eliminating the sidewalk and bringing order to the wild parking of bicycles. The same way the Museum could be worth much more without the constant construction. Please note also that the lighting could be improved, mentre l'ideazione di un opuscolo turistico in cui inserire la galleria come percorso commerciale è certamente una soluzione che potrebbe essere sviluppata». Illuminazione insufficiente anche per Sandro Martucci dell'agenzia viaggi "Blu vacanze": «Sarebbe da migliorare, senza dubbio. Vanno considerate, poi, le somme vertiginose chieste per gli affitti, con rate mensili da 6.000 euro per 50-60 metri quadri: moltissimi soldi. A questo aggiungiamo che pure qui le pulizie dobbiamo pagarcele privatamente e il quadro è completo. Non possiamo, però, negare come il passaggio di gente sia soddisfacente con conseguenti possibilità di lavorare con successo». Attenta e di segno opposto la disamina di Sabrina Marcialis: «Ci troviamo essenzialmente on a passage where it is very hard to bring customers into stores. Enter in a tourism context would certainly bring benefits, but we can not ignore that there are mainly those coming from outside the arcades and Piazza Walther, without much room for the rest. Very often, moreover, who does not know the city is reluctant to take a step that does not know where he might end up, for fear of getting lost: small claims, however, could reassure visitors. Nor can we even compare ourselves to Gryphon Gallery, close to the station where the position is strategic, but the work of urban furniture and care has been painstaking, unlike what is done here. Sometimes, however, Saturday we see a river of people along the desert road and Museum in front of our windows: difficult to understand why, then ask where it is due to start a discussion about this. Perhaps even the opening hours of shops could lend a hand, without discouraging walkers and activity is half open and half closed. " Satisfied, however, the outlet Zegg Barbare "Easy": "Surely we are better than in the gallery Sernesi from the point of view of the passage and visibility. Clearly, the tourist routes and any initiatives could improve the situation, but it is not reasonable to grieve too much. " Vantage point of the area is that of Neptune and Frank Maurizio Seal of "Timberland", just off the corner of the museum and gallery in Europe. "Very difficult to see people who deviate from the direction in the arcades. We suggest a visit inside to those who ask directions, but it is not always easy to get out from the main. " Coordination and consistency, however, are the words to be followed for David and Stefanie Kaisermann Kofleralm "Napapijri": "All the old town should decide to adopt a single time in order to guarantee a compact to customers. More detail on the gallery, however, I think we should move towards an ever closer synergy. Cleaning, it is true, we pagarcela all together, but the service is satisfactory. Never seen, however, some of which was to sweep Seaba or any serious initiative to curb the phenomenon of homeless people who come to sleep here in the winter nights. " (C)
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